The fort was used as a prison and transit facility
for Jews during the Second World War, and was thereby connected to the genocide
against the European Jews. A large
number of them were also executed at the fort. The place is therefore largely a
place of commemoration for the Holocaust, although the museum from the beginning
focused on victims of Nazi war crimes in general. After all, the museum was
founded in soviet times and the soviet authorities themselves had plenty of
blood on their hand. Also Jewish and Lithuanian blood. It was probably easier
to focus on the undisputed Nazi enemy. The focus of soviet memorials like this one
was anyway usually not so much on the Jewish story of suffering, but rather
towards the demonizing Nazi Germany and glorifying the soviet victory over that
regime.
The place is perhaps also best suited as a more
kind of general place of commemoration, rather than one mostly devoted to the
Holocaust. Lithuanian wartime history is after all rather complicated, and the
traditional black and white perspectives that Holocaust memorial call for are
difficult to apply in this case. The fort was for instance also used to carry
out crimes against Lithuanian citizens, but then by soviet authorities. First
during their first occupation, then it was a transit point during the
deportations, and the again as a prison during the second occupation.
The museum itself is a rather traditional one,
where many traditions from the soviet era still remain. A significant proportion of the staff also
seem to have survived from soviet times, and I suspect that most of the
exhibitions have survived more or less intact too. You are in other words not
in for many surprises, but as traditional museums go this is a rather good one.
Very informative, and an interested visitor can easily spend several hours
here.
The site also includes a vast soviet memorial in
concrete, which in itself is a reason to visit the ninth fort. At least for
visitors combining historical interest with a fascination for the practical
sides of constructing large and elaborate concrete installations. Making stuff
like this is now almost a lost art.
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